That Floating Excrement Was Far Too Symbolic! It's the Television Letdowns of the Past Year.
As we reflect on the TV landscape of the past year, a selection of shows stand out not for their brilliance, but for their spectacular shortcomings. Ranging from awkward sequels to confusingly poor documentaries, here are the productions that left us utterly bewildered or just reaching for the remote.
The 'Sex and the City' Sequel
Where to begin with this divisive spin-off? Plagued with dreadful scripts, cringe-inducing arcs (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the show struggled to find its footing. Briefly, as the final series started, it seemed as if it had at last found its groove. Then came an episode centered on Seema’s natural deodorant. No wonder the creator declared this would be the last season. It ended on a bum note; the lingering shot of Miranda’s loo full of poo was simply too on-the-nose. Yet, viewers undeniably had a hoot dissecting every single “wtf?” episode. And as Carrie – once again single – danced around her palatial townhouse to Barry White, who didn’t release a little sob?
The Kim Kardashian Drama
‘Is Kim Kardashian an actress? Of course she can’t.’
But that was practically the smallest of this show's problems. The subject of a exceedingly uncommon no-star assessment, it was hard to know where to start listing the flaws. The laughably wooden writing? The tedious glorification of wealth and consumption? The seemingly wilful procession of tropes? Performances so bad they felt borderline spiteful? Let’s just say “each and every one” and never speak of this series again. Except, a new season has been commissioned, so we’re likely going to have to.
The Charlie Sheen Documentary
Considering the restraining orders, abuse allegations and parental failures, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d really have known it from this three-part docuseries which chuckled along at Sheen’s various episodes of self-destructive hedonism while failing to tell us a single thing we didn’t already know. Rather, it felt as if this volatile personality was being pandered to, so any pity this series might induce should be saved for the people who have had to suffer close contact with this charming but dismissive egotist.
The Supercomputer Drama
Naturally we knew it was preposterous from the get-go: a drama about a AI known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We persevered out of sheer love for its leads … but by the end, it felt like even they had stopped bothering. One scarcely cared when his character died, and the other ended up slicing Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.
The Gangster Drama
Dodgy characters convening in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its crime drama back.
Actually, that is harsh on the gangland dramas of the late 90s. Many seem a little old-fashioned now, but at least they didn’t endure the ignominy of having to indulge unconvincing dialects. But there were plenty of other issues. Mainly that it was just profoundly boring; a conflict over drug-selling territory between various cockney rogues which felt rather simplistic.
With Love, Meghan
Given the extent to which she provokes the ire of the nation’s ostentatiously angry commentators, it’s almost easy to applaud the Duchess of Sussex’s televised ventures into quaint homemaking as deliberate provocations. But then you view them and are forced to concede that in this case, they might have a point. It’s like watching a homeware catalogue animated; a poster for evening drinks with ideas of grandeur; a procession of sleeping dogs, humming beehives, Hallmark platitudes and forgettable crafting “hacks” you’ll not remember instantly. All underpinned by immense, largely undeserved wealth. Ugh.
The Beckham Documentary
There are obviously interesting things to be said about regarding Victoria Beckham and her struggles with career, identity, self-worth. But for some reason, this three-part series opted not to explore them. Instead, the viewing was akin to reading a marketing brochure. She clearly has good reason to bridle at what she describes as her “miserable cow” image. But unfortunately, she didn’t do herself any helps with this guarded non-event of a series.
The Game Show
It had the potential to be the next cultural phenomenon – except even camper, with a glamorous star as a deceased benefactor and a well-known personality managing her estate. What more could you want? As contestants battled it out, there was plenty of betrayal and squabbling. But the rules quickly became incomprehensible: it’s even now too complicated to explain what precisely was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The show ended up reeking of a production that was trying way too hard to emulate something far greater than it.
Too Much
How do you succeed a show that captured a generation? The expectation was enormous for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who arrives in London with a broken heart. The star took her biggest role by the horns and was joyous to watch, embodying Austen levels of romantic notions. But it was all very glossy and, paradoxically, was insufficient. Plus, the abundance of famous cameos involved felt icky.
Mitchell & Webb Are Not Helping
Not even good enough to be ‘patchy’.
Given the smart inclusion of gifted emerging comics, hopes were high. But sadly, most of it didn’t land. A recurring sketch was a single joke stretched to a dry pulp but recurring in every episode. One star seemed too willing to slip into a familiar ranting mode. The writing room sketches, meanwhile, simply inspired the thought that they should probably have remained in there a while longer.
The Twisted Tale of Amanda Knox
This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the horrific 2007 murder, this was not it. The subject matter needed to be handled sensitively. Instead, the series laboured awkwardly to find the right voice, lurching from strangely breezy, somewhat mannered farce to inevitably, real-life horror. Twisted? Arguably. A total mess? Absolutely.
The Maths Genius Thriller
We admire the lead actor … but did we believe him playing the greatest maths genius in history, a man so smart he’s on the brink of a breakthrough that could destabilise society? Nope! This international thriller about government agencies targeting – and killing off – academics honestly got more farcical by the second. Silliness-by-numbers.
1000 Men and Me: The Bonnie Blue Story
This uncritical portrait followed the online personality renowned for explicit escapades as she prepared for her most extreme feat yet. What on earth would motivate her? What we craved was far greater examination of her true psychology, plus those of the men in the queue. They could at least have spoken to the legendary mum who showed up to drag her son out of the queue. What we got was disturbing imagery and absolutely no critical analysis of her notoriety whatsoever. And to think, the filmmaker has a teenage daughter too.